Jack’s Wife Freda – Asakusa –

Jack's Wife Freda - Asakusa -

 
スカイツリー近くのミズマチにあるニューヨークにあるレストラン Jack’s Wife Freda です。日本初上陸のお店でやっとチャンスが出来たので行ってみました (今は六本木にも店舗があるようです)。

お店の中の雰囲気はニューヨーク感満載で、ちゃんとインテリアが工夫されていました。更に店員さんも外国人の方で(日本人もいました)、それも海外感を演出してくれていました(日本語でメニュー注文出来ます)。ちゃんと世界観がまとまっていて、日本テイストになっていなかったのが個人的にとても良かったです。この手のお店ではどうしてもどこか日本向けに味付けされて、オリジナル感が損なわれるのですが、ここはそういう感じがほとんどしませんでした。もちろん、椅子やテーブルはもしかしたら日本人に合わせたサイズになっているかもしれません。でも、いかにもで揃えられた感じではなくちゃんと世界観がまとまっている事がとても居心地が良かったです。

頼んだご飯も美味しく少々お値段張りますが、場所代含めてと思えば納得の値段です。
平日のお昼少し外した時間帯だったので、人が少なく快適でした (ミズマチ界隈も人が少ないくらい)。


Jack’s Wife Freda is a restaurant in New York located in Mizumachi near Tokyo Skytree. It was the first restaurant to land in Japan, and I finally had a chance to visit (there is now also a branch in Roppongi).

The atmosphere inside the restaurant was full of a New York feeling, and the interior design was well thought out. The staff were foreign (some were Japanese), which added to the foreign atmosphere (you can order the menu in Japanese). I personally liked the fact that the restaurant’s worldview was well organized and did not have a Japanese taste. In this type of restaurant, the atmosphere is always somewhat Japanese, which spoils the originality of the restaurant. Of course, the chairs and tables may have been sized to fit Japanese people. However, I was very comfortable with the fact that the restaurant’s worldview is not just a typical Japanese one, but rather a coherent one.

The food we ordered was delicious, and although it was a bit pricey, it was a reasonable price considering the cost of the place.
The restaurant was very comfortable and not too crowded since it was a weekday and a little after noon (the Mizumachi area is also not too crowded).

Jack's Wife Freda - Asakusa -
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TAIWAN night 2017 on Film – FUJIFILM KLASSE W w/ Kodak PORTRA 400

Taiwan night 2017
FUJIFILM KLASSE W + Kodak PORTRA 400

夜の台湾をKLASSE W + PORTRA 400で。今回で2017年の台湾の写真は最後に。前々回夜の撮影はNATURA 1600がいいなんて書きましたが、ISO400あってがんばってカメラを固定できればなんとか撮れるということだと思います。粒状感も悪くないし。ただ、やっぱり現像した結果ブレている写真は何枚か出てきちゃいます。撮り慣れてない人に撮ってもらうと、もうブレブレ、笑。
そういう意味でもNATURA 1600は安心だったんだと思います。失敗が少ないって、誰にでも撮りやすいってことになるので、それはとても大事なことだと思うので。
ISO800のフィルムが現状、カラーでの最高感度になりますが、富士フイルムのフィルムはISO800感度のフィルムもう売ってないんですよね。
KODAK PORTRA 800、Lomography Color Negative 800、cinestill 800Tといったところが選択肢でしょうか。
種類の少なさに焦りを感じます。


Taiwan at night with KLASSE W + PORTRA 400. This is the last photo of Taiwan in 2017. I wrote in the previous issue that NATURA 1600 is good for night photography, but I think it means that if you have ISO 400 and can hold the camera steady, you can manage to take pictures. The graininess is good. However, there have some blurred few pictures after developing the film. When I asked someone who is not used to taking pictures to take them, taht were blurry lol.
In that sense, I think NATURA 1600 was a safe choice. I think it is very important to have less mistakes, because that means it is easy for anyone to take pictures.
ISO 800 film is currently the highest sensitivity for color, but Fujifilm does not sell ISO 800 sensitivity film anymore.
KODAK PORTRA 800, Lomography Color Negative 800, and cinestill 800T are the options.
I feel impatient with the lack of variety.

Taiwan night 2017
FUJIFILM KLASSE W + Kodak PORTRA 400
Taiwan night 2017
FUJIFILM KLASSE W + Kodak PORTRA 400
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TAIWAN 2017 on Film – FUJIFILM KLASSE W w/ Kodak PORTRA 400

Taiwan 2017
FUJIFILM KLASSE W + Kodak PORTRA 400

今回はPORTRA 400を通した前回同様2017年の台湾を。前回までのNATURA 1600とは雰囲気がやはり異なります。KLASSEとの相性か、解像感高く写っています。スマホで見ると画面が小さいから余計に解像感高く見えちゃいますね。
PORTRA 400はまだ手に入りますが、随分と高いフィルムになってしまいました(前も相対的には高めでしたが)。バラ売りがなく、5本セット売りばかりなので、瞬間的な財布へのダメージが大きいんですよねぇ。


This time, Taiwan in 2017 as before through PORTRA 400. The atmosphere of the image is different from the previous NATURA 1600, perhaps due to the compatibility with KLASSE, but the resolution looks see high. When I look at it on my smartphone, the resolution looks even higher because the screen is smaller.
PORTRA 400 is still available, but it has become a very expensive film (although it was relatively expensive from before). It is not sold in bulk, but only in sets of five, so it is very damaging to my money when I’ll buy.

FUJIFILM KLASSE W + Kodak PORTRA 400
Taiwan 2017
FUJIFILM KLASSE W + Kodak PORTRA 400
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TAIWAN 2017 night on Film – FUJIFILM KLASSE W w/ NATURA 1600

FUJIFILM KLASSE W + NATURA 1600

夜の台湾を今回もNATURA 1600で。あらためて見るとこれだけ綺麗に撮れているわけで、やはりNATURA 1600が販売終了となってしまったことは残念でなりません。
KLASSE Wを組み合わせることで気軽に夜に撮れているのですが、そんな風に夜の撮影が出来ないのは残念です。富士フイルムさん今一度考え直して再生産していただけませんか?原材料が今は高いので、価格が上がることは百も承知です。デジカメでは撮れないこの夜の姿、もう一度NATURA 1600を販売してほしいと願わずにはいられません。


This time also NATURA 1600 at Taiwan night. Since the photos are so beautiful when viewed again, it is still a shame that NATURA 1600 is no longer available.
I can easily take pictures at night by combining it with KLASSE W, but it is a pity that I can no longer take pictures at night like that. Fujifilm, could you please reconsider once again and reproduce it? I know the price will go up because raw materials are expensive now. I can’t help but wish that NATURA 1600 would be sold again to capture this night scene that cannot be taken with a digital camera.

Taiwan 2017
FUJIFILM KLASSE W + NATURA 1600
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TAIWAN 2017 on Film – FUJIFILM KLASSE W w/ NATURA 1600

Taiwan 2017
FUJIFILM KLASSE W + NATURA 1600

今回も2017年の台湾旅行から富士フイルム クラッセ W に NATURA 1600 を入れて。台湾は日本からは近く、比較的安く行けるのでまた行きたいと思っていたのですが、こちらもCOVID-19で行けなくなってしまいました。フィルムで撮ったものをアップしてなかったのですが、こうやって見直すと台湾という街とフィルムは似合いますね。よく言う昭和感に近いものが台湾の街並みにも感じるものがあるからだと思いますが、日本以上に狭い路地、ひしめく住宅という姿は、独特の世界観を感じずにはいられません。


Again with NATURA 1600 in a FUJIFILM CLASSE W from my trip to Taiwan in 2017. I had wanted to go back to Taiwan because it is close to Japan and relatively inexpensive, but COVID-19 made it impossible for me to go here as well. I had not uploaded any of the photos I took with film, but when I look back at them this way, I realize that Taiwan and film go together very well. I think it is because Taiwanese cityscapes are similar to those of the Showa period (1926-1989 in Japan), but I cannot help but feel a unique worldview in the narrow alleys and crowded houses, which are even narrower than in Japan.

FUJIFILM KLASSE W + NATURA 1600
Taiwan 2017
FUJIFILM KLASSE W + NATURA 1600
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A mature town Tokyo Marunouchi.

大人な街、東京丸の内

Tokyo Marunouchi 2022
FUJIFILM X100V

今回は早朝の東京 丸の内です。この日は土曜日だったこともあったかと思いますが、人がほとんどいなくて完全に静かな丸の内でした。丸の内は、銀座や表参道とも違いってもっと落ち着いた大人の街ですね。再開発で生まれ変わったビルと、従来から残るビルがいい感じで並んでコントラストを産んでいて、古いビルも別に古いように見えているのではなく、丸の内という街をちゃんと彩る役目を果たしているように見えます。また、東京という場所、それも東京駅のそばでありながら、道路や歩道は広めにゆったりととってあるところが好きです。これくらいの広さはほしいですね。広いことで、緑も道路脇には並び、決して十分とは言えないと思いますが、それでも緑があることで街が硬くなりすぎないように見えていると思います。大事ですね、緑。


This time it was Marunouchi, Tokyo in the early morning photos. It may have been a Saturday, but Marunouchi was completely quiet, with hardly a soul in sight. Unlike Ginza and Omotesando, Marunouchi is a more relaxed and mature area. The buildings that have been reborn through redevelopment contrast nicely with those that have remained standing, and even the older buildings do not look old, but rather serve their purpose of adding color to the Marunouchi area. I also like that the streets and sidewalks are wide and spacious for a place called Tokyo, even though it is located near Tokyo Station. I would like to see this level of spaciousness. The wide space also means that greenery lines the sides of the streets, and although I don’t think it is sufficient, I still think that the greenery makes the city look not too hard. Greenery is very important in street, town, etc…

Tokyo Marunouchi 2022
FUJIFILM X100V
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Hawaii 2016 on Film – FUJIFILM KLASSE W w/ SUPERIA PREMIUM 400

FUJIFILM KLASSE W + FUJIFILM SUPERIA PREMIUM 400

2016年の旅行ではハワイに最後寄って帰っています。ニューヨーク、サンフランシスコ、シアトル、ハワイと動いたので忙しくも楽しい旅行でした。もう少し海外旅行がしやすい状況に戻ればと思います。
こうやってみると、ちょっとSUPERIA PREMIUM 400はハワイとは相性が違う?なんか色味が渋すぎるかなって今見ると感じますね。フィルムの特性かな。AUTOで撮ってたと思いますが、少し明るめにf値を固定して撮る方が良かったかもしれません。
デジカメと違い、フィルムは現像して結果を見てみるまで最終的にどうなるかわからないので、そこが難しいところですが一方で予想外の新しい発見もあったりするので面白いところですね。


We made a last stop in Hawaii on our 2016 trip and returned home. It was a busy but enjoyable trip as we moved from New York, San Francisco, Seattle, and Hawaii. I hope to return to a situation where international travel is a little easier.
In this way, I wonder if SUPERIA PREMIUM 400 is a little different from Hawaii. I feel that the colors are a bit too subdued, maybe a characteristic of the film. I think I used AUTO, but it might have been better to use a slightly brighter f-stop.
Unlike a digital camera, with film you don’t know what the final result will be until you develop the film and look at the results. But that is fun and sometime unexpected image at developed print.

Hawaii 2016
FUJIFILM KLASSE W + FUJIFILM SUPERIA PREMIUM 400
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